Back in April of last year, at the unveiling of an Aubusson tapestry based on Seamus Heaney’s poems ‘Lightenings viii’ (which Iggy McGovern wrote about in our last post), we announced the donation of Seamus Heaney’s poetry books to Poetry Ireland.
At that event, Catherine Heaney described how her father would sit in his study, surrounded by his poetry books. These were, she said, “the volumes, from the classics to his contemporaries, that he would read, consult and work with in his day-to-day writing life. This working library was invaluable to him – it formed him and informed him – and we, his family, wanted to find a long-term home for it. When my mother came up with the idea of donating it to Poetry Ireland, we all knew instantly that it was the right decision.”
Fast forward nine months, and the donation of the library now stands at the heart of plans to create a new centre, at Poetry Ireland’s Parnell Square home, as part of a larger regeneration of the whole area, along with nearby neighbours The Hugh Lane Gallery and The Gate Theatre. It’s a tremendously exciting project – outlined in this short film featuring, among others, Joe Biden, Paula Meehan, Paul Muldoon and Marie Heaney – and one that we are honoured and delighted to be part of. More details will be announced in the coming months, but in the meantime, listening to architect Niall McCullough, we were reminded of a line of SH's which feels appropriate to the moment:
"The books stand open and the gates unbarred."
One of the last projects Seamus Heaney ever collaborated on was adapting his translations of a series of 15th-century animal fables into a series of short animated films.
Forty years after its first publication in 1979, Seamus Heaney’s fifth collection, Field Work, is considered afresh by his friend and fellow poet Bernard O’Donoghue
Throughout 2019, the year that would have marked Seamus Heaney’s 80th birthday, poet and translator Marco Sonzogni will celebrate Heaney’s work with a series of pieces based on the sounds in his poetry. Here, he starts at the beginning, with ‘Death of a Naturalist’, the title poem of the first collection, and a memory of his own.
As the Collected Poems CD box set produced by RTE in association with The Lannan Foundation is about to be re-published, Lorelei Harris, then at RTE Radio 1 and the executive producer of the box set, looks back at how it came to be.
After months of preparation, 21 regional heats, and the speaking of hundreds of poems across the country, the finals of Poetry Aloud will take place in Dublin this Friday, 7 December. Niall MacMonagle charts the history of the prize and Seamus Heaney’s own connection to it
DCU honours Heaney the teacher with the naming of a new lecture theatre, and accompanying portrait, in its St. Patrick’s campus
As Seamus Heaney HomePlace celebrates its second anniversary this weekend, we asked the team behind HomePlace to share their thoughts on the journey so far…
In 1992, Seamus Heaney and the American photographer Rachel Giese-Brown collaborated on Sweeney’s Flight, a book of Giese-Brown’s haunting photographs of the Ulster landscape paired with extracts from Heaney’s Sweeney Astray. Here, Rachel explains how the artistic partnership came about and recalls the day the book finally took shape.
This month marks the tenth anniversary of the death of David Hammond, the renowned Belfast film-maker and singer, and close friend of Seamus Heaney. We asked JOHN KELLY, writer and broadcaster – and friend to both men – to share his memories of this 'natural force masquerading as a human being'
What a week! Read and listen to some of the press coverage of the launch of ‘Listen Now Again’ in Dublin, and the publication of 100 Poems.